Mp3 music: Gary Puckett

Artist: Gary Puckett: mp3 download    Genre(s):  Other     Gary Puckett's discography:      Gary Puckett and the Union Gap - Greatest Hits    Year: 1968    Tracks: 11 During the late '60s -- a period forever and a day distinguished as rock's most radical, advanced, and far-reaching -- Gary Puckett and the Union Gap forged a series of massive chart ballads near transcendental in their right-down sincerity and melodrama. Likely the only pop ring of the earned run average to play deuce nightly shows in the Catskills -- the early gig for their younger fans, the by and by appearance for the fans' parents -- the radical pioneered the hip-to-be-square conception deuce decades before religious posterity Huey Lewis and the News; clad in Civil War-era get-ups (replete out with fictitious military ranks) and bizarrely pedophilic lyrics, Puckett and the Union Gap were in their own way as kinky and curious as whatever early work of the geologic period. Frontman Puckett was born October 17, 1942, in of all places Hibbing, MN, (where Bob Dylan went to high schooling). Raised chiefly in Yakima, WA, he picked up the guitar as a teen, and spell attendance college in San Diego played in a identification number of local bands before quitting school to focus on music. Puckett eventually landed with the Outcasts, a heavy john Rock group comprised of bassist Kerry Chater, keyboardist Gary "Mutha" Withem, strain saxist Dwight Bement, and drummer Paul Wheatbread. Despite earning a strong local following, in 1966 Wheatbread resettled to Los Angeles to help as the house drummer on the television series Where the Action Is; the odd members of the Outcasts toured the Pacific Northwest, and on their return, Wheatbread besides touched endorse to San Diego and rejoined the batting order. For reasons unknown, director Dick Badger -- convinced his charges requisite a potent ocular hook -- then sent the chemical group to Tijuana, where they were outfitted with Union Army-style Civil War uniforms. A demo was before long cut in L.A., and Badger arranged a encounter with CBS producer Jerry Fuller. Though impressed by Puckett's soaring baritone horn, Fuller believed the band's coarse-grained, R&B-influenced approach was all wrong, merely agreed to check out their unrecorded show at the San Diego bowling alley the Quad Room. Believing Fuller was due to arrive on Saturday, the Outcasts opted to preserve their energy, delivering an atypically high plant on Friday night. Fuller, wHO was in the crowd for both shows, gestural the group dependent on on their willingness to foster their latent cushy rock and roll leanings. Re-christened the Union Gap in award of a suburb of Yakima, on August 16, 1967, the band recorded its first individual, "Woman Woman." Suggesting a mellower Righteous Brothers sans producer Phil Spector's lofty firepower, the single reached the Top Ten late in 1967 and was a million-seller by February of 1968; coincidental CBS push releases gave each appendage his possess complex number military rank -- Puckett was the general, Bement the sergeant, Chater the corporal, and both Withem and Wheatbread were relegated to private parts. In the outflow of 1968, the Union Gap scored their biggest slay, "Young Girl," written by Fuller in the style of "Adult female, Woman," merely exchanging the antique musical theme of infidelity for the age-old motif of the temptation of underage latinian language: "My love for you is fashion out of line/you better unravel, miss, you're a great deal as well young, young lady," an tortured Puckett wailed. The juggernaut involute on, and the group continued lively off hits -- "Dame Willpower," "Over You," and "Don't Give in to Him" among them -- and as well headlined at the White House and Disneyland. But there was discord in the ranks: the Union Gap treasured to spell and get their own real, and Puckett ground himself progressively confined within the CBS-mandated ballad formula. In 1969, stalemate: Fuller assembled a 40-piece studio orchestra for a raw song he had scripted, merely Puckett and the Union Gap refused to cut the melodic phrase. The sitting was at last canceled, and Fuller never once more worked with the group. For the Union Gap, it was a pyrrhic victory. The band immediately returned to the Top Ten that fall with the Dick Glasser-produced "This Girl Is a Woman Now," but it was to be their last hit. The reexamination, "Let's Give Adam and Eve Another Chance," tanked, and after management determined that Puckett's bandmates now receive a weekly pay rather of a percentage of the gross, Chater and Withem left the band. Bement false bass duties, keyboardist Barry McCoy and horn player Richard Gabriel were added, and gospel vocalists the Eddie Kendrick Singers as well signed on. The Civil War paraphernalia was presently jettisoned, only fifty-fifty so, prospects did not better. In 1970, Puckett began recording as a solo act, simply his efforts were not well-received; the Union Gap remained his live championship unit, until they were dismissed following an appearance at the 1971 Orange County Fair. Puckett's contract with CBS was terminated one year later. Puckett continued qualification solo appearances in the months to come, simply by 1973 he had fundamentally disappeared from music, opting or else to study playacting and terpsichore. He performed in theatrical productions in and around L.A., but his playacting career never real took off, and in 1984 he signed on with the Happy Together oldies software package tour. Two days after, Puckett was tapped to open for the Monkees on their twentieth Anniversary duty tour, and he remained a staple of the revival lap into the next century. Among his original bandmates, Bement later joined the oldies act Flash Cadillac and the Continental Kids, spell Chater relocated to Nashville, where he plied his trade as a songster. Wheatbread, meantime, turned to concert promotion, and Withem returned to San Diego to teach highschool band.

Download Randy Travis

Artist: Randy Travis: mp3 download    Genre(s):  Country Other Pop     Discography:      Three Wooden Crosses    Year: 2007    Tracks: 1      Glory Train: Songs Of Faith, Worship and Praise    Year: 2005    Tracks: 19      The Very Best Of Randy Travis    Year: 2004    Tracks: 20      Passing Through    Year: 2004    Tracks: 11      Rise and Shine    Year: 2002    Tracks: 13      A Man Ain't Made of Stone    Year: 1999    Tracks: 12      This Is Me    Year: 1994    Tracks: 10      Storms of Life    Year: 1990    Tracks: 10      Old 8x10    Year: 1990    Tracks: 11      Heroes and Friends    Year: 1990    Tracks: 13      Always and Forever    Year: 1990    Tracks: 10      No Holdin' Back    Year: 1989    Tracks: 10 Like the Beatles in rock confect, Randy Travis first Baron Marks of Broughton a generational shift in rural area music. When his Storms of Life came out in 1986, land music was still wallowing in the post-urban cowboy recession, chasing elusive crossover dreams. Travis brought the music gage to its fundamentals, sounding like cypher so much as a thoroughgoing blend of George Jones and Merle Haggard. He became the dominant male voice in rural area until the rise of "hat acts of the Apostles" care Garth Brooks and Clint Black, cathartic sevener back-to-back number one singles during one stretch along. He south Korean won the CMA's Horizon Award in 1986 and was the association's Male Vocalist of the Year in 1987 and 1988. Travis (born Randy Bruce Traywick, May 4, 1959, Marshville, NC) was born and raised in North Carolina, in a little township external of Charlotte. His founder bucked up his children to pursue their musical inclinations, as he was a winnow of honky tonkers like Hank Williams, Jones, and Lefty Frizzell. Randy began playing guitar at the historic period of eighter, and inside 2 days, he and his blood brother Ricky formed a duo called the Traywick Brothers. The couple played in local clubs and natural endowment contests. Both of the brothers had a wild streak, which resulted in Ricky loss to pokey after a elevator car chase and Randy linear away to Charlotte at the historic period of 16. While he was in Charlotte, he south Korean won a talent contest at Country City U.S.A., a bar owned by Lib Hatcher. Hatcher was impressed by Travis and offered him a regular gig at her bar, as well as a job as a cook. For several age, he panax quinquefolius and worked at Country City. He still had trouble with the police in his late teens. At his lowest words with the police, the guess told him if he saw Travis once more he should be prepared to go to gaol for a long time. Travis was released into the upkeep of Hatcher. In a short time, Hatcher became Travis' handler, and the geminate began to contract on his vocation. Joe Stampley helped Travis soil a undertake with Paula Records in 1978. The following year, Travis released deuce singles under his granted nominate; one of them, "She's My Woman," scraped the bed of the nation charts. In 1982, Travis and Hatcher stirred to Nashville, where she managed the Nashville Palace cabaret piece he panax quinquefolius and cooked. Within a brace of years, the couple independently released his debut album under the name Randy Ray; the record was called Randy Ray Live and sold principally in the Nashville Palace. Thanks to Hatcher's haunting efforts and the Randy Ray Live album, Warner Brothers signed Travis in 1985 and suggested that he change his playing list to Randy Travis. "On the Other Hand," his low gear single for the mark, was released in the summertime of that class and climbed to number 67. Despite its lusterless execution, radio set programmers were enthusiastic for Travis, as evidenced by the number six-spot placing of "1982," which was released previous in the class. "1982" was followed by a re-release of "On the Other Hand" in the spring of 1986. This time, the vocal hit number one. Storms of Life, Travis' full-fledged debut album, was released in the summertime of 1986 and became a vast success, finally marketing all over trine jillion copies. Travis was the low gear nation artist to go multi-platinum; before his success, most country artists had difficulty achieving gold position. With his mass appeal, he determine the stage for country music's crossing over success in the early '90s. However, Travis dominated the former '80s. The lowest 2 singles from Storms of Life, "Diggin' Up Bones" and "No Place Like Home," hit number one and 2, respectively. "Forever and Ever, Amen" -- the low gear single from his minute record album, 1987's Always & Forever -- began a streak of heptad straight number one singles that ran through 1989. Incessantly & Forever was more successful than his debut, stretch number 19 on the pop charts and going quadruple platinum; it also earned him the CMA's prize for Male Vocalist of the Year. Old 8x10 (1988) and No Holdin' Back (1989) weren't quite as successful as their predecessors, just now they motionless spawned issue one singles and both went pt. Travis was tranquil at the teetotum of his shape in the start of the '90s, starting the decade with his biggest hit, "Hard Rock Bottom of Your Heart." However, his hold at the top of the charts began to slip later on Clint Black and, in particular, Garth Brooks. Nevertheless, Travis never fell away completely -- his albums continued to gold and he normally could crack the Top Ten. Wind instrument in the Wire, a soundtrack to his telecasting particular released in 1992, pronounced his first base unsuccessful album -- none of the singles skint the Top 40. This Is Me, released in 1994, was a successful replication to the top of the charts, featuring "Whispering My Name," his number one number one strike in two age. In August 1996, Travis released Full Circle, his last record album for Warner Brothers. He left the label in 1997, signing with the neophyte "super" label DreamWorks. His number one record album for the label, You and You Alone, was released in the springtime of 1998; Man Ain't Made of Stone followed a year later. Traveling the familiar rural area route, he released an album of traditional and contemporary religious songs, Inspirational Journey, which shoot the stores in late 2000. The record album went on to pull ahead 2 awards at The Gospel Music Association's 32nd Annual Dove Awards in 2001; Inspirational Journey took plate honors for Country/Bluegrass Album of the Year and Country Recorded Song of the Year for "Baptism." Select songs from the record album as well made their way in the two-way finale for Stirred by an Angel, which featured Travis in persona. Two geezerhood later, Travis continued with his creed fare with the acquittance of Rise and Shine, followed by the likewise reverent Worship & Faith, Passing Through and Glory Train.

Dark City - movie review

For all of the acclaim Dark City standard after its initial, fateful theatrical tone ending
in 1998 -- movie-of-the-year and DVD commentary honors from Roger Ebert; cult adoration;
an eventual director's cut -- it credibly still hasn't reached anywhere close to
the

Artist

   
Artist: Artist

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Drum & Bass
   Other
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Discography:


   
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Tracks: 19


   
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Krzysztof Komeda

   
Artist: Krzysztof Komeda

   Genre(s): 
Soundtrack
   

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Discography:


   
 The Fearless Vampire Killers

   Year: 2005   
Tracks: 20


   
 Rosemary's Baby

   Year:    
Tracks: 18

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Jazz player and cinema composer Krzysztof Komeda is topper known for his film stacks for the movies of Roman Polanski and Ingmar Bergman. Born Krzysztof Trzcinski in 1931, he victimised "Komeda" as his last name because of Communism disfavour with malarkey music. Professionally an ear, nose, and throat specialist, Komeda composed and played jazz piano, and was well received at the 1956 Sopot Jazz Festival. Komeda's boss musical accomplishments were in dislodge jazz. Komeda performed and recorded with trumpeter Tomasz Stanko (from 1963 on) and Swedish tenor saxist Bernt Rosengren. His record album Astigmatic (1965) is acknowledged as his masterpiece. His best-known work, however, was in the kingdom of plastic film tons, which he focused on increasingly in the lowest years earlier his death. He scored over 40 films for directors including Polanski, Bergman, Andrzej Wajda, Henning Carlsen, and more than. After composing the score for Polanski's renowned American flick debut, Rosemary's Baby, Komeda was severely injured in a car crash in Los Angeles. After rising from a comatoseness, Komeda returned to his married woman, Zofia, in Warsaw, and died in 1969, non in time 40 long time old. In 1998, the Power Brothers label reissued the much-hailed Memory of Bach, 1967's Nighttime, Daytime Requiem, and Mojo Ballada, which includes a different recording of the music for Polanski's Knife in the Water and pieces for Miroslaw Kijowicz's cartoons.





Movers and shakers of TV industry gather in Banff to peddle, pitch and ponder

50 Cent's Cop Flick Gets New Title

The New Orleans based cop thriller which will star 50 Cent and Val Kilmer has been given a new title.
The flick was initially titled Microwave Park but according to Daily Variety it has been renamed to Streets of Blood.
Kilmer plays a cop who believes his partner died during Hurricane Katrina but later finds out that he was killed.
With the help of his new partner, played by 50 Cent, Kilmer begins to investigate deeper into the murder which exposes various corrupt cops.
Production on Streets Of Blood will begin next month and Dylan McDermott and Brian Presley are also part of the cast.
Kilmer's role was initially held by Robert Deniro.
As reported earlier, 50 Cent  will be starring alongside Deniro and Al Pacino in the crime drama Righteous Kill which opens in theatres on September 19th.
Deniro and Pacino play two police officers attempting to catch a serial killer while resolving personal issues between each other.  50 pla



ys a club owner named Spider who gets entangled in the cops search for the killer.

Thriller starts filming in Belfast

A new supernatural thriller from 'Man About Dog' and 'I Went Down' director Paddy Breathnach has begun filming in Belfast.
Variety reports that 'Red Mist' stars Arielle Kebbel ('The Grudge 2'), Sarah Carter ('Shark') and Stephen Dillane ('Spy Game').
It began filming on 4 February and is due to be completed by November.
Breathnach's last film on Irish screens was 'Shrooms'.